Live Auction, 7 October 2019

Sold for

ZAR 796 600
Lot 672
  • William Kentridge; The Artist's Garden, Houghton
  • William Kentridge; The Artist's Garden, Houghton
  • William Kentridge; The Artist's Garden, Houghton
  • William Kentridge; The Artist's Garden, Houghton
  • William Kentridge; The Artist's Garden, Houghton


Lot Estimate
ZAR 700 000 - 900 000
Selling Price
Incl. Buyer's Premium and VAT
ZAR 796 600

About this Item

South African 1955-
The Artist's Garden, Houghton
signed
charcoal on paper
57 by 76cm excluding frame

Notes

In 1963, shortly after the birth of their third child, Sydney and Felicia Kentridge moved into a large house built on a sloping, north-facing plot in Houghton, Johannesburg. Now occupied by their eldest son, William Kentridge, the home’s generous garden has long been the subject of artist scrutiny. In 1978, when Kentridge was a student at the Johannesburg Art Foundation, David Goldblatt photographed the Kentridge family garden. His photo shows a lone swing on mowed lawn with a backdrop of trees. The addition of a voluminous studio in 2001 has not changed the character of the garden much. Kentridge has frequently referenced this garden in talks and essays: it forms a bridge to his longstanding interest in landscape. His use of charcoal to evoke the tangled and stony landscape outside his studio window directly quotes the austere tonalities of Johannesburg’s post-industrial landscapes. “There was a happy meeting of charcoal in the landscape outside Johannesburg when I started drawing it,” says Kentridge. “There was no decision or principle involved. Charcoal was the medium I had been using for several years. And the landscape is a charcoal drawing itself, black stubs of grass after the winter fires. Drag a sheet of paper or a canvas behind a tractor and the landscape draws itself.”1

 

  1. William Kentridge (forthcoming) Constable: Finding the Dapple. New York: Frick Museum.

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