Victor Pasmore

Il Labirinto della Psiche (The Labyrinth of the Psyche) (Lynton Graphics G40)

About the Session

Spanning 4 centuries of global art history, The International Sale, presents 127 exceptional lots by artists from 27 countries across five continents. The auction highlights masterworks ranging from 17th century European paintings to post-2000 editions by contemporary artist's such as Mr Brainwash (lot 51), Jim Dine (lots 83-86), Isaac Julien (lot 108), Jeff Koons (45), and Lucas Samaras (lot 107 and 110). The sale is anchored by important pieces from Georg Baselitz, Erik Laubscher, Shirin Neshat, and a newly repatriated 1935 portrait by Irma Stern. 

The auction's diversity is driven by rare museum-quality highlights, led by Irma Stern's Two Women (lot 31), which returns to South Africa after decades in a Berlin private collection.  It is joined by Erik Laubscher's rare recto-verso painting Young Family / Construction (lot 48), an Iranian-American artist Shirin Neshat photographic portrait linked to her award-winning Turbulent installation (lot 66), and a uniquely hand-coloured linocut by German master Georg Baselitz titled Das Pferd, Im Wald und auf der Heide Series (The Horse, in the Forest and on the Heath Series) (lot 72).


Sold For

ZAR 60 063
Lot 88
  • Victor Pasmore; Il Labirinto della Psiche (The Labyrinth of the Psyche) (Lynton Graphics G40)
  • Victor Pasmore; Il Labirinto della Psiche (The Labyrinth of the Psyche) (Lynton Graphics G40)
  • Victor Pasmore; Il Labirinto della Psiche (The Labyrinth of the Psyche) (Lynton Graphics G40)

LOT 88

Victor Pasmore

Il Labirinto della Psiche (The Labyrinth of the Psyche) (Lynton Graphics G40)
Lot Estimate Change Currency
ZAR 40 000 - 60 000
Selling Price
Incl. Buyer's Premium & VAT
ZAR 60 063
Location
Cape Town
Shipping
Condition Report
May include additional detailed images
Auction Catalogue

About this Item

British 1908-1998
Il Labirinto della Psiche (The Labyrinth of the Psyche) (Lynton Graphics G40)
1986

signed with the artist's initials, dated 86, numbered IV/XV in pencil and embossed with the Vigna Antoniniana Stamperia d'Arte, Rome and the 2RC chopmarks in the margin

etching and aquatint on paper
image size: 84 by 111cm; sheet size: 103,5cm by 161cm; 107 by 164 by 7cm including frame

Notes

Co-published by Marlborough Graphics Ltd., London and 2RC Edizioni d'Arte, Rome and printed by Vigna Antoniniana.

Pioneering British abstract artist Victor Pasmore was born in Chelsham, Surrey, UK, in 1908. He studied in London at the Harrow Art School (1923 to 1926) and Central School of Arts and Design (1927 to 1932). While he dabbled in abstraction in those years, his early career was founded on landscapes and figurative art as inspired by the French Impressionists. Pasmore participated in his first exhibition in 1930, a group show at Zwemmer Gallery in London, and three years later he held his first solo show at The Cooling Galleries, London. By 1947, encouraged by British artist Ben Nicholson, he turned to abstraction and would continue to grow and experiment in this style for the rest of his career. In 1960, Pasmore represented Britain with a solo show at the Venice Biennale, an event that garnered him international recognition. Notably, he was awarded the Carnegie Prize for Painting in 1964 and elected Senior Royal Academician of The Royal Academy of Arts in 1983.

In addition to being a prominent artist, Pasmore was also an influential educator. In 1937, he co-founded the Euston Road School alongside William Coldstream and Claude Rogers. From 1943 to 1949, he served as the director of painting at Camberwell School of Art and was a lecturer at the London Central School of Arts and Crafts in 1949. Between 1954 and 1961, he was the head of the paintings department at King’s College, Newcastle upon Tyne (now Newcastle University), where he established a groundbreaking basic design course that was adopted by other arts and design schools throughout the country. Pasmore was also concerned with introducing the public to abstract art, which he was able to do through his role as the consulting director of urban design for the town of Peterlee, County Durham (1955 to 1977). He is represented in many prominent collections worldwide, including the Victor Pasmore Gallery in Malta, where he established a second home.

Literature

Norbert Lynton (1999) The Paintings and Prints of Victor Pasmore, 1980-92, London: Lund Humphries, cat. no. G40.

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