Muraina Oyelami
Portrait
About the SessionSpanning 4 centuries of global art history, The International Sale, presents 127 exceptional lots by artists from 27 countries across five continents. The auction highlights masterworks ranging from 17th century European paintings to post-2000 editions by contemporary artist's such as Mr Brainwash (lot 51), Jim Dine (lots 83-86), Isaac Julien (lot 108), Jeff Koons (45), and Lucas Samaras (lot 107 and 110). The sale is anchored by important pieces from Georg Baselitz, Erik Laubscher, Shirin Neshat, and a newly repatriated 1935 portrait by Irma Stern.
The auction's diversity is driven by rare museum-quality highlights, led by Irma Stern's Two Women (lot 31), which returns to South Africa after decades in a Berlin private collection. It is joined by Erik Laubscher's rare recto-verso painting Young Family / Construction (lot 48), an Iranian-American artist Shirin Neshat photographic portrait linked to her award-winning Turbulent installation (lot 66), and a uniquely hand-coloured linocut by German master Georg Baselitz titled Das Pferd, Im Wald und auf der Heide Series (The Horse, in the Forest and on the Heath Series) (lot 72).
LOT 30
Muraina Oyelami
Portrait
Incl. Buyer's Premium & VAT
About this Item
signed and dated
Provenance
Acquired from the artist, and thence by descent.
Notes
Chief Muraina Oyelami, born in Iragbiji, Nigeria, in 1940, is a Nigerian painter, drummer, actor, and teacher of Yoruba descent. He began his career as an artist in 1964 and became one of the original and celebrated artists associated with the Osogbo School of Art, a movement that emerged from a series of experimental art workshops held at a local theatre complex in Osogbo.
Oyelami’s artistic practice draws deeply on Yoruba culture, traditions, mythology, and performance. In addition to his work as a visual artist, he was a drummer and actor with the theatre company of renowned Nigerian playwright and theatre director Duro Ladipo (1931-1978). He later taught traditional music and dance at Obafemi Awolowo University from 1976 to 1987, contributing to the preservation and transmission of Yoruba cultural traditions.
Throughout his career, Oyelami has occupied several important cultural roles. He is also a chief of his hometown, Iragbiji, reflecting his longstanding connection to his community and Yoruba heritage. His multidisciplinary career—spanning painting, music, theatre, teaching, and traditional leadership—places him among the important figures associated with the development and international recognition of the Osogbo artistic tradition.