René Lalique

René Lalique 'Crémieu' opalescent and clear glass bowl, No. 400, designed 1928

About the Session

Dr. Vera Dubin was born in Dvinsk, Latvia, in 1925. When she was a year old, her family emigrated to South Africa, first settling in Paarl and later in Cape Town. From an early age, her independence of spirit and determination were clear. At seven, she wrote boldly to South African artist Hugo Naudé, seeking to buy one of his paintings with money she had raised from her classmates to “brighten” their classroom — an early sign of the tenacity that would define her life.

Vera qualified as a doctor in 1948, one of only two women in her graduating class at the University of Cape Town. She went on to specialize in dermatology, working in government hospitals and private practice. Coming from a deeply artistic family, she pursued many passions beyond medicine. She was an award-winning gardener and brought the same artistry to beadmaking and decoupage.

With her husband, Abe, a clothing entrepreneur, she travelled widely and became an avid collector of pre-1945 Lalique glass, as well as South African and European paintings, sculpture, silver, and ceramics. Over her lifetime, she assembled an exceptional collection distinguished by its depth, discernment, and quality.

For many years, Vera led the Friends of the Durban Art Gallery, ultimately serving as its honorary life president. In her later years, she became known as the doyenne of classical music in Durban. In 1982, she founded the Friends of Music and for decades brought world-renowned musicians to perform in the city. She nurtured emerging local talent and created a pre-concert program that gave young musicians a public platform. In recognition of her contributions to music, she was honored with the Paul Harris Fellowship Award from Rotary International.

Dr. Vera Dubin died on August 24, 2025, at the age of 100 — a milestone she had always vowed to reach.


Current Bid

ZAR 11 000
Lot 24
  • René Lalique; René Lalique 'Crémieu' opalescent and clear glass bowl, No. 400, designed 1928
  • René Lalique; René Lalique 'Crémieu' opalescent and clear glass bowl, No. 400, designed 1928
  • René Lalique; René Lalique 'Crémieu' opalescent and clear glass bowl, No. 400, designed 1928
  • René Lalique; René Lalique 'Crémieu' opalescent and clear glass bowl, No. 400, designed 1928
  • René Lalique; René Lalique 'Crémieu' opalescent and clear glass bowl, No. 400, designed 1928
  • René Lalique; René Lalique 'Crémieu' opalescent and clear glass bowl, No. 400, designed 1928


Lot Estimate Change Currency
ZAR 12 000 - 14 000
Current Bid
1 bid
Current bid ZAR 11 000
Location
Cape Town
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About this Item

France 1860-1945
René Lalique 'Crémieu' opalescent and clear glass bowl, No. 400, designed 1928

relief-moulded 'R.LALIQUE' and script engraved 'No 400'

press-moulded glass
height: 9cm; diameter: 31cm

Provenance

The Vera Dubin Collection.

Notes

The style of this bowl is characteristic of the Art Deco period. The 'Crémieu' design was named after a small medieval town in south-eastern France, which was a popular spot for tourists and artists during Lalique's time.

Listed in the 1932 catalogue, not re-issued after 1947, making all examples genuine pre-war René Lalique era.

Most opalescent pieces were made between 1925 and 1937. Opalescence is not a surface treatment but rather a chemical that is added to the glass itself, which causes it to change character in different light.

Note the distinctive double-tailed 'Q' in the signature.

Literature

Félix Marcilhac, René Lalique 1860-1945 Maître-verrier, Analyse et Catalogue Raisonné de L'Œuvre de Verre, Paris, 1994, page 297

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