René Lalique
René Lalique 'Poissons' opalescent and clear glass coupe, No. 3262, designed 1931
About the SessionDr. Vera Dubin was born in Dvinsk, Latvia, in 1925. When she was a year old, her family emigrated to South Africa, first settling in Paarl and later in Cape Town. From an early age, her independence of spirit and determination were clear. At seven, she wrote boldly to South African artist Hugo Naudé, seeking to buy one of his paintings with money she had raised from her classmates to “brighten” their classroom — an early sign of the tenacity that would define her life.
Vera qualified as a doctor in 1948, one of only two women in her graduating class at the University of Cape Town. She went on to specialize in dermatology, working in government hospitals and private practice. Coming from a deeply artistic family, she pursued many passions beyond medicine. She was an award-winning gardener and brought the same artistry to beadmaking and decoupage.
With her husband, Abe, a clothing entrepreneur, she travelled widely and became an avid collector of pre-1945 Lalique glass, as well as South African and European paintings, sculpture, silver, and ceramics. Over her lifetime, she assembled an exceptional collection distinguished by its depth, discernment, and quality.
For many years, Vera led the Friends of the Durban Art Gallery, ultimately serving as its honorary life president. In her later years, she became known as the doyenne of classical music in Durban. In 1982, she founded the Friends of Music and for decades brought world-renowned musicians to perform in the city. She nurtured emerging local talent and created a pre-concert program that gave young musicians a public platform. In recognition of her contributions to music, she was honored with the Paul Harris Fellowship Award from Rotary International.
Dr. Vera Dubin died on August 24, 2025, at the age of 100 — a milestone she had always vowed to reach.
ZAR 9 500
About this Item
relief-moulded 'R.LALIQUE' with distinctive double-tailed 'Q'
Notes
This circular dish with stylised spiralling sardines surrounding a bubbly centre is one of Lalique's earliest and most recognisable piscine motifs. In the early 1920s, he was exploring rotational, rhythmic compositions inspired by nature. The swirling fish create a dynamic vortex, a signature Art Deco device he used again in Tourbillons and Serpent.
Most opalescent pieces were made between 1925 and 1937. Opalescence is not a surface treatment but rather a chemical that is added to the glass itself, which causes it to change character in different light.
This model was discontinued in 1947, making all pieces pre-war or immediate post-war production.
Literature
Félix Marcilhac, René Lalique 1860-1945 Maître-verrier, Analyse et Catalogue Raisonné de L'Œuvre de Verre, Paris, 1994, page 757
Provenance
The Vera Dubin Collection.
