Mariambibi Khan

Un-Applied Reflections I

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Art Jewellery in Conversation with Still Life
About the Session

Art Jewellery in Conversation with Still Life, showcases 15 local art jewellers who have taken one of art’s oldest genres off the wall and made it wearable in the form of brooches, necklaces, rings and other pieces.  This second collaboration between Strauss & Co and Stellenbosch University’s Creative Jewellery and Metal Design Division, brings together new works inspired by modern and contemporary still life, from Alexis Preller and Irma Stern to the humble banana.  On view at the Oude Leeskamer in Stellenbosch from 3 to 11 October during Woordfees, the show runs alongside the art exhibition Anything but Static: A Selection of Modern and Contemporary Still Life, presented in partnership with Strauss & Co. 


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Lot 22
  • Mariambibi Khan; Un-Applied Reflections I

LOT 22

Mariambibi Khan

Un-Applied Reflections I
Lot Estimate Change Currency
ZAR 4 500 - 5 500
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Unsold
Location
Cape Town
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Auction Catalogue

About this Item

South Africa
Un-Applied Reflections I
a brooch consisting of a pierced silver floral form composed of two silver pieces riveted together, set with round mirror and strung with silk thread and aquamarine beads, the reverse with steel wire brooch pin and silver mechanism, total weight 26 grams
2026
height: 6,2cm; width: 6cm; depth: 1,2cm

Notes

"Still life has historically been understood as the arrangement of objects. I am interested in the arrangement of identities. Rather than translating still life into jewellery, my practice extends it from the pictorial plane into lived experience, exploring how identity, memory, and cultural ritual are carefully curated yet continually transformed through embodiment, perception, and reflection.As a contemporary Muslim jeweller, I work with metal, mirrors, embroidery, crochet, and textile handcraft to investigate how personal and collective identities are constructed and negotiated.

My jewellery enters into conversation with Scott Fraser's “Applied Reflections”, extending its concerns with curation and reflection beyond the painted surface. Like Fraser's compositions, my works begin as carefully planned arrangements. However, unlike the fixed image of a painting, they evolve through fabrication, material behaviour, wearing, and the changing reflections of mirrored surfaces, becoming open to continual reinterpretation.

The title Un-Applied Reflections reflects this shift from controlled composition to lived experience, where identity cannot be fully authored but is continually reshaped through the gaze of others. Alongside Unravelling I and II, these works explore the tension between order and instability, ritual and unpredictability, transforming still life into an embodied, relational experience that carries memory, cultural inheritance, and evolving narratives."

Statement by Mariambibi Khan, 2026

Inspired by: Applied Reflections by Scott Fraser, 2014

Applied Reflections by Scott Fraser, 2014

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