Le Lézard aux Plumes d'Or: Plate I (The Lizard with Golden Feathers: Plate I) (Mourlot 792)

Literature

Fernand Mourlot (1975) Joan Miró Lithographs, Volume IV: 1969–1972, New York: Leon Amiel Publisher, cat. no. 792.

Notes

Printed by Mourlot, Paris, published by Broder, Paris.

Joan Miró i Ferrà, a pioneering Spanish artist hailing from Barcelona, is celebrated for his mastery in painting, printmaking, sculpture, and ceramics, leaving a permanent impact on 20th century art. In 1975, a testament to his influence, the Fundació Joan Miró was established in his birthplace, Barcelona, followed by the Fundació Pilar i Joan Miró in Palma de Mallorca in 1981.

Miró’s artistic journey was a fusion of reality and imagination; abstraction and figuration; and image and text. His iconic work, The Hunter (Catalan Landscape) (1923-1924), unveiled the poetry within everyday life, incorporating personal symbols from his family farm. Miró, like Surrealism, aimed to free the inner workings of the mind through pure psychic automatism, blending spontaneity with calculation in his quest for a new pictorial language. He challenged reality with vibrant colours and surreal proportions.

The late 1920s marked a period of experimentation for Miró, where he pushed the boundaries of painting with various mediums, techniques, collages, and constructions. Miró opted for the universal language of the subconscious over intellectualism. Miró's art work, especially from this later period, drew extensively from primordial forms and images, reflecting the influence of African culture on the development of modernism. A significant exhibition of selected works showcasing Africa’s impact on the artist The Magical Universe of Joan Miró was held in 2002 at the Standard Bank Gallery in Johannesburg.

Provenance

Private Collection, Johannesburg.

5th Avenue Auctioneers, Craighall Park, 30 November 2008, lot 202.

Private Collection, Cape Town.