Princess Ndala

Lesedi la koko II

Art Jewellery in Conversation with Still Life
About the Session

Art Jewellery in Conversation with Still Life, showcases 15 local art jewellers who have taken one of art’s oldest genres off the wall and made it wearable in the form of brooches, necklaces, rings and other pieces.  This second collaboration between Strauss & Co and Stellenbosch University’s Creative Jewellery and Metal Design Division, brings together new works inspired by modern and contemporary still life, from Alexis Preller and Irma Stern to the humble banana.  On view at the Oude Leeskamer in Stellenbosch from 3 to 11 October during Woordfees, the show runs alongside the art exhibition Anything but Static: A Selection of Modern and Contemporary Still Life, presented in partnership with Strauss & Co. 


Current Bid

Lot 31
  • Princess Ndala; Lesedi la koko II
  • Princess Ndala; Lesedi la koko II
  • Princess Ndala; Lesedi la koko II

LOT 31

Princess Ndala

Lesedi la koko II
Lot Estimate Change Currency
ZAR 2 000 - 2 500
Current Bid
Bid now to get first bidder discount
Starting at ZAR 2 000
Location
Cape Town
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Condition Report
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About this Item

Pretoria, South Africa
Lesedi la koko II
a brooch consisting of, silver melted-wax casting with pin and cap on the reverse, height excluding pin 6,5cm, total weight 35 grams

Lesedi la koko translated means 'my grandmother's light'

2026
height including pin: 8,5cm; width: 3cm; depth: 1,5cm

Notes

"My jewellery responds to Art Jewellery in Conversation with Still Life by questioning the idea that stillness belongs only to inanimate objects.

Working from my interest in African spirituality, I understand objects not as passive possessions but as vessels of memory, ritual, and presence. Similarly, the chosen artist, Jagan, expresses varied interpretations of spirituality. The pendant and brooch are actual representations of candle wax flowing as it burns. The candle wax in this context carries symbolic significance in many African spiritual practices. Suspended from simple cords, they remain visually still until activated by the body, where movement becomes an extension of ritual.

Rather than depicting a still life arrangement, these works propose a living still life; one in which reminds us that spiritual objects acquire meaning through use, touch, and embodied experience. In this way, the pieces present adornment as a site where memory, ancestry, and the sacred remain alive. Through wearable form, I invite viewers to consider still life not as a continuous dialogue between object, body, and spirit."

Statement from Princess Ndala, 2026

Inspired by: Two candles, Jagan, oil on canvas, 2025

Two candles, Jagan, oil on canvas, 2025

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