Multiple Panel Paintings 1973-1976 C (RM12), nine

Notes

Published in a third edition of 300 signed copies by edition Domberger and Parasol Press S A, Stuttgart and New York, printed by Domberger K G Filderstadt, Germany, 1992.

The present lot is a full portfolio. The titles are as follows:

Untitled (R.M. 1977.02.01); Untitled (R.M. 1977.02.02); Untitled (R.M. 1977.02.03); Untitled (R.M. 1977.02.04); Untitled (R.M. 1977.02.05); Untitled (R.M. 1977.02.06); Untitled (R.M. 1977.02.07); Untitled (R.M. 1977.02.08); Untitled (R.M. 1977.02.09).

American minimalist artist Robert Mangold (born in North Tonawanda, New York) became a central figure in postwar abstraction after completing his Master of Fine Art at Yale University, where his practice grew rooted in geometry, spatial awareness, and asymmetry. Over the decades, his analytical approach evolved from an industrial-inspired palette to emotionally evocative hues like warm ochres and deep oranges, all unified by strict proportion, balance, and interconnected lines and planes of colour. Mangold long emphasised that his work should present themselves as an inseparable, instantaneous unit, viewing this unique flatness as its greatest strength.

Living and working in Washingtonville, New York, Mangold has a prolific international exhibition record, including major solo shows at the Guggenheim Museum, New York (1971), Kunsthalle Basel (1977), and the Stedelijk Museum, Amsterdam (1977), alongside multiple appearances in Documenta, Kassel (1972, 1977, 1982), the Whitney Museum of American Art Biennial (1979, 1983, 1985), the Venice Biennale (1993), the Musée D’Orsay, Paris (2006) and the Kemper Museum of Art, Kansas City (2016-17). His legacy is thoroughly documented through a multi-part catalogue raisonné, a Parasol Press print collection, and a 2000 Phaidon Press monograph.

Literature

Betsy Senior (ed) and Robert Mangold (2020) Robert Mangold Catalogue Raisonne, online, cat. no. RM12, accessed 14 September 2026.