Kitano Tsunetomi

The Heron Maiden (Sagi Musume)

Current Bid

Lot 65
  • Kitano Tsunetomi; The Heron Maiden (Sagi Musume)
  • Kitano Tsunetomi; The Heron Maiden (Sagi Musume)
  • Kitano Tsunetomi; The Heron Maiden (Sagi Musume)

LOT 65

Kitano Tsunetomi

The Heron Maiden (Sagi Musume)
Lot Estimate Change Currency
ZAR 140 000 - 180 000
Current Bid
Starting at ZAR 120 000
Location
Cape Town
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Condition Report
May include additional detailed images
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About this Item

Japanese 1880-1947
The Heron Maiden (Sagi Musume)
c.1925

signed in the image; stamped with the carver and printer's seal Chokoku Yamana Yoshimitsu, suri Matsuno Kassui (carved by Yamana Yoshimitsu and printed by Matsuno Kassui), numbered Go Dai (unnumbered) and inscribed with the publisher's mark Nezu Seitaro Zohan (copyright of Nezu Seitaro) in the margin

woodcut, embellished with gofun and silver mica ground on paper
image size: 45,5 by 30cm; 72,5 by 52,5 by 2cm including frame

Provenance

The Japanese Print Shop, Liberty London.

Private Collection, and thence by descent.

Notes

Published by Nezu Seitaro.

Kitano Tsunetomi was born 1880 in Kanazawa. He moved to Osaka as a young man where he would establish himself as a leading master of bijin-ga (meaning pictures of beautiful women), a genre of Japanese art that focuses on idealised representations of female beauty which became particularly prominent during the Edo period (1603–1868), and in his own lifetime, earn recognition as the first Nihonga artist from Osaka.

Tsunetomi began his career in 1892 as an apprentice in woodblock printing workshops in Kanazawa. In 1897, he worked for the carver Nakayama Komataro before moving to Osaka in 1898 to study under the painter and print designer Inano Toshitsune. The following year, he began contributing illustrations to the monthly publication Shin-Nihon.

Initially working as a newspaper illustrator, Tsunetomi developed a distinctive style influenced by ukiyo-e and the emerging Nihonga tradition. His elegant and often psychologically charged depictions of women, particularly those associated with Osaka’s entertainment districts, became his hallmark.

He exhibited at the government-sponsored Bunten exhibitions from 1910 and received national recognition in 1911. In 1917, he became a member of the Japan Art Institute. Through his paintings and teaching, Tsunetomi helped establish Osaka as an important centre for modern Japanese painting and remains celebrated as one of the foremost bijin-ga artists of the Taishō and early Shōwa periods.

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