The Engen Collection

Live Virtual Auction, 24 June 2025

The Engen Collection
About the Session

The Engen Collection is a corporate collection that highlights a crucial chapter in South African art history. 

Initially put together as the Mobil collection in the early 1980s, it brings to market a selection of works from a broader archive of over two hundred artworks, offering insights into the networks, pedagogies and creative resistances that shaped South African abstract art in the early 1980s. It comprises of paintings, tapestries, works on paper and photographs representing a significant corporate investment in South African contemporary art during a period of intense cultural and political transformation. The collection engages with a moment when South African artists were developing visual languages that could operate across the cultural and artistic boundaries. These artists, including Bill Ainslie, Simon Stone, Gabriel Tsolo, Judith Mason, Andrew Verster, Pippa Skotnes and Gail Altschuler, documented individual artistic development alongside the collective creation of alternative artistic practice. 

The collection traces the intellectual and artistic genealogy of artists working within and against the constraints of the 80s, many of whom were influenced by the South African artist, teacher and activist Bill Ainslie and the Johannesburg Art Foundation (JAF), an institution that maintained inclusivity. Founded in 1982, JAF operated as an educational anomaly, rejecting prescribed curricula and external authority in favour of emancipatory and experimental pedagogy. Under Ainslie's direction, the Foundation fostered abstract expressionism, an art movement whose rejection of traditional representational art prioritised non-objective imagery to evoke emotion.  The connections of the institution extended beyond the JAF itself, linking to the establishment of Federated Union of Black Artists (FUBA) and the Thupelo Workshops in Cape Town, institutions whose impact continues to shape contemporary South African art discourse.

The CEO, Mr George Roberts, said: "The Engen Collection represents a broad and vibrant range of South African artists and has been a treasured part of our company’s story for many years. As we look to the future, we believe it is time for these remarkable artworks to find new homes where they can continue to be appreciated, shared and celebrated. We believe that by releasing this collection, the artworks will find new life amongst a wider community, while inspiring new audiences by continuing to tell the story of South Africa’s creative spirit."


Current Bid

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Lot 99
  • Margaret Vorster; Burning
  • Margaret Vorster; Burning
  • Margaret Vorster; Burning


Lot Estimate
ZAR 5 000 - 7 000
Current Bid
Starting at ZAR 4 000
Location
Cape Town
Shipping
Condition Report
May include additional detailed images
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About this Item

South African 1953-
Burning

signed and dated 84

oil on canvas
96 by 121cm excluding frame; 100,5 by 124 by 7cm including frame

Literature

R J Angel (no date) Mobil Court Art Collection: A Collection of South African Visual Art, Mobil Oil Southern Africa, illustrated in colour, unpaginated.

Notes

Margaret Vorster was born in Natal in 1953 and studied Fine Arts at the University of the Witwatersrand and the University of South Africa. In the mid-1970s, she travelled extensively through the United States and the United Kingdom, where she deepened her engagement with 20th-century art.

Vorster has exhibited widely, particularly in the northern regions of South Africa, as well as in Cape Town. Her work is held in the collections of the University of the Witwatersrand and the South African National Gallery. She has also collaborated with the renowned Stephens Tapestries, further extending her creative practice into the realm of Mohair textile art.

Provenance

The Engen Collection.

View all Margaret Vorster lots for sale in this auction