The Engen Collection

Live Virtual Auction, 24 June 2025

The Engen Collection
About the Session

The Engen Collection is a corporate collection that highlights a crucial chapter in South African art history. 

Initially put together as the Mobil collection in the early 1980s, it brings to market a selection of works from a broader archive of over two hundred artworks, offering insights into the networks, pedagogies and creative resistances that shaped South African abstract art in the early 1980s. It comprises of paintings, tapestries, works on paper and photographs representing a significant corporate investment in South African contemporary art during a period of intense cultural and political transformation. The collection engages with a moment when South African artists were developing visual languages that could operate across the cultural and artistic boundaries. These artists, including Bill Ainslie, Simon Stone, Gabriel Tsolo, Judith Mason, Andrew Verster, Pippa Skotnes and Gail Altschuler, documented individual artistic development alongside the collective creation of alternative artistic practice. 

The collection traces the intellectual and artistic genealogy of artists working within and against the constraints of the 80s, many of whom were influenced by the South African artist, teacher and activist Bill Ainslie and the Johannesburg Art Foundation (JAF), an institution that maintained inclusivity. Founded in 1982, JAF operated as an educational anomaly, rejecting prescribed curricula and external authority in favour of emancipatory and experimental pedagogy. Under Ainslie's direction, the Foundation fostered abstract expressionism, an art movement whose rejection of traditional representational art prioritised non-objective imagery to evoke emotion.  The connections of the institution extended beyond the JAF itself, linking to the establishment of Federated Union of Black Artists (FUBA) and the Thupelo Workshops in Cape Town, institutions whose impact continues to shape contemporary South African art discourse.

The CEO, Mr George Roberts, said: "The Engen Collection represents a broad and vibrant range of South African artists and has been a treasured part of our company’s story for many years. As we look to the future, we believe it is time for these remarkable artworks to find new homes where they can continue to be appreciated, shared and celebrated. We believe that by releasing this collection, the artworks will find new life amongst a wider community, while inspiring new audiences by continuing to tell the story of South Africa’s creative spirit."


Current Bid

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Lot 98
  • Terence King; Field Emblem No V
  • Terence King; Field Emblem No V
  • Terence King; Field Emblem No V


Lot Estimate
ZAR 10 000 - 15 000
Current Bid
Starting at ZAR 8 000
Location
Cape Town
Shipping
Condition Report
May include additional detailed images
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About this Item

South African 1947-
Field Emblem No V

signed, dated 1982/4 and inscribed with the title on the reverse

oil on board
121,5 by 244cm excluding frame; 125,5 by 249 by 7cm including frame

Literature

R J Angel (no date) Mobil Court Art Collection: A Collection of South African Visual Art, Mobil Oil Southern Africa, illustrated in colour, unpaginated.

Notes

"Field Emblem No V, though primarily abstract, is deeply rooted in observation. This painting marks an early entry in a continuing series of works exploring landscape and maritime themes, focused on how human presence imposes structure and geometry on the natural world. The work reflects on the historical markers of land - symbols of possession and dispossession -rendered with an emblematic quality. These themes are expressed through layered, textured passages of paint that suggest both accumulation and excavation."-Terence King, 2025.

Terence King is a South African artist and academic who holds a Master of Arts in Fine Art from the University of the Witwatersrand, awarded in 1978.

King's practice is rooted in close observation of the physical world, yet it moves beyond literal representation to explore how environments bear the traces of history. His work investigates how meaning is inscribed in place. Using a combination of detailed, recognisable imagery and loosely layered, excavated paint surfaces, King evokes the tension between the un-tamed nature of the landscape and the structured imposition of human intervention. His visual language draws on familiar elements from built and natural environments to reflect the layered, often contested histories embedded in specific sites.

King enjoyed a distinguished academic career, serving as Professor of Art History and Fine Art at the University of KwaZulu-Natal until his retirement. Prior to that, he taught at the University of the Witwatersrand, University of South Africa and Natal Technikon. Over the course of his career, he has participated in approximately 50 group exhibitions and 14 solo or joint exhibitions. His work is held in major public collections, including the South African National Gallery, Durban Art Gallery, Tatham Art Gallery in Pietermaritzburg and four university collections.

Thanks to Terence and Pam King for assistance in the cataloguing of this lot.

Exhibited

Goodman Gallery, Johannesburg, circa 1984.

Provenance

The Engen Collection.

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