Left Bank Bordeaux

Live Virtual Auction, 7 November 2021

Fine Wine

Sold for

ZAR 12 898
Lot 103
  • Mouton Rothschild; Pauillac; 2002; 1 (1 x 1); 750ml


Lot Estimate
ZAR 8 000 - 10 000
Selling Price
Incl. Buyer's Premium & VAT
ZAR 12 898

About this Item

Pauillac, 2002
1 (1 x 1) 750ml

Château Mouton Rothschild is not only one of the finest Bordeaux wines, but it is also one of the world’s greatest. The First Growth from Pauillac holds an incredible track record for the most consistent and long-lived wines in all of Bordeaux. It can be argued that the modern age of Chateau Mouton Rothschild arose along with the modernization of the entire Bordeaux wine region.

Each year since 1945, the Château Mouton Rothschild label has been illustrated with an artwork by a leading painter, specially created for the vintage. Thus, the most famous names in contemporary painting have been brought together in a collection to which a new work is added each year. From one label to another, Mouton Rothschild has thus brought together some of the most celebrated artists of their day, including Miró, Chagall, Braque, Picasso, Tàpies, Francis Bacon, Dali, Balthus, Jeff Koons and even Prince Charles, the Prince of Wales. The artists have complete freedom of creation, though certain themes, such as the vine, the pleasure of drinking and the ram, the Mouton Rothschild emblem, have proved a particularly rich source of inspiration.

The 2002 Vintage Label was designed by Ilya Kabakov.

Born in 1933 at Dniepropetrovsk, in what is now Ukraine, Ilya Kabakov is one of the leading figures of contemporary Russian art. He has taken American citizenship.

Trained at Moscow Art School and the V.I. Surikov Institute, he made a name for himself in the late 1950s as a graphic artist and book illustrator. But, in counterpoint to this career, pursued openly, he soon began to explore avenues considered by the Soviet authorities at the time to be too innovative, from abstraction to conceptual art. He thus became a prominent personality of underground Russian culture alongside the poets and film directors of the “conceptualist circle”. From the 1980s his installations, taking as their target daily life in the USSR and a social realism he had always rejected, gradually brought him to the attention of a worldwide audience. Rather like Wagner rethinking opera as a “total art work”, Kabakov developed the idea of the “total installation” : objects, paintings, lighting, texts and music transport spectators into a radically different world which nevertheless refers them to a precise historical reality – or his own fantasies.

Ilya Kabakov has won many international prizes for his work, in which his wife Emilia now also collaborates ; it is exhibited in leading museums in the United States, France, Germany and Spain. In 2004, a major exhibition was devoted to him at St Petersburg’s Hermitage Museum.
For the label of Mouton Rothschild 2002, Kabakov expresses both his mastery of graphic art and his predilection for multidimensional space in a striking use of perspective. He has entitled his drawing “OKHO”, meaning window in Russian. Behind the “pane” of the bottle, the artist shows us another world : whirling to infinity, myriads of wings trace its outlines, at the same time bearing us off joyfully towards the realm of dreams and bliss, in a transparent allegory of the magic of a great wine.

Critics Ratings

‘Deep crimson. Firm, strongly cassis nose. Very voluptuous texture. Appetising and beautifully balanced. Obviously Médoc. Dried out a little on the end but the contrast between the flesh of this wine and skinniness of the Margaux tasted immediately beforehand could not have been more marked.’ - Jancis Robinson MW, JancisRobinson.com, 18.5/20 (Nov 2012)

‘The nose on this wine is tightly-coiled, holding something back for later, but you can coax out some attractive aromas of blackberry, tobacco, saddle-leather and pine cones. The palate is medium-bodied with firm tannins, not quite as refined as Latour, but certainly coalescing in the glass beautifully with a wonderfully poised, almost feminine finish that caresses the palate. Lovely.’ - Neal Martin, Wine Advocate, 93/100 (Oct 2009)

Provenance

Private Client

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