Dr Joani Groenewald

Pear Studies: Acts of Holding #3

Art Jewellery in Conversation with Still Life
About the Session

Art Jewellery in Conversation with Still Life, showcases 15 local art jewellers who have taken one of art’s oldest genres off the wall and made it wearable in the form of brooches, necklaces, rings and other pieces.  This second collaboration between Strauss & Co and Stellenbosch University’s Creative Jewellery and Metal Design Division, brings together new works inspired by modern and contemporary still life, from Alexis Preller and Irma Stern to the humble banana.  On view at the Oude Leeskamer in Stellenbosch from 3 to 11 October during Woordfees, the show runs alongside the art exhibition Anything but Static: A Selection of Modern and Contemporary Still Life, presented in partnership with Strauss & Co. 


Current Bid

Lot 15
  • Dr Joani Groenewald; Pear Studies: Acts of Holding #3

LOT 15

Dr Joani Groenewald

Pear Studies: Acts of Holding #3
Lot Estimate Change Currency
ZAR 5 000 - 6 000
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Starting at ZAR 5 000
Location
Cape Town
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About this Item

South Africa
Pear Studies: Acts of Holding #3
a brooch consisting of, copper with vitreous enamel on silver frame, the reverse with steel wire brooch pin and silver mechanism, stamped 925, total weight 30 grams
2026
height: 7cm; width: 5,1cm; depth: 0,8cm

Notes

"Pear Studies: Acts of Holding explores the ways in which acts of holding shape our relationships with objects and one another. Holding can comfort, support, and preserve, yet it may also restrain, compress, or leave a mark. This paradox lies at the heart of jewellery, where attachment is achieved through piercing. Every brooch depends upon a pin that both secures and penetrates, making care inseparable from vulnerability. Inspired by Scott Fraser's still-life paintings of wounded pears, the series uses the pear as a surrogate body through which to examine these tensions.

Bruises, tears, enamelled wounds and bandages evoke fragility, resilience and repair, inviting empathy while challenging ideals of perfection. Rather than depicting injury alone, the work considers how acts of holding, whether physical, emotional or material, shape the body and leave lasting traces.

Unlike Fraser's paintings, where the pin exists only as an image, the brooch collapses representation and function. The same mechanism that appears to wound the pear is physically present and required to wear the work. The brooch therefore does not simply represent injury; it reenacts the condition it depicts.

The series proposes that jewellery is a relational practice. It negotiates intimacy through attachment, care through contact, and reveals that every act of holding leaves its trace."

Statement by Dr Joani Groenewald, 2026

Influenced by: See No Evil, Hear No Evil, Speak No Evil by Scott Fraser; St. Sebastian by Scott Fraser

See No Evil, Hear No Evil, Speak No Evil by Scott Fraser

St. Sebastian by Scott Fraser

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