Evanson Kang’ethe
Bustling Street Scene with Vendors
About the SessionNAIROBI – Following their successful collaboration in 2025, Strauss & Co, Africa’s leading auction house, and Danda Jaroljmek, Director of Art Auction East Africa, will present Art Auction East Africa | Strauss & Co, a 67-lot sale bringing together modern and contemporary art from East Africa and the wider continent. The live-virtual sale will be held at Circle Art Gallery in Nairobi on Wednesday, 28 October, 2026, 7pm EAT. The catalogue spans a diversity of East African countries, including Kenya, Tanzania, Ethiopia, Sudan and Uganda, alongside works by artists from Angola, the Democratic Republic of Congo, Mozambique and Nigeria. Works on paper, photography and sculpture complements the strong painting consignment. “The selection invites collectors to discover East Africa’s diverse modernist histories, particularly those beyond the Anglophone world,” says Susie Goodman. “In recent years, there has been a resurgence of interest in East African modernists, with artists associated with the Khartoum School shown in museums and fairs globally. Our work as an auction house rooted in Africa is ensuring this rediscovery is not temporary. We are delighted to partner with Danda Jaroljmek in cultivating a sustainable secondary market for East African modernists active during the era of decolonisation and independence.” A preview exhibition will be held at Circle Art Gallery, Victoria Square, Riara Road, Nairobi, during the two weeks preceding the auction on Wednesday, 28 October 2026.
LOT 12
Evanson Kang’ethe
Bustling Street Scene with Vendors
About this Item
signed and dated
Provenance
The Artist's Collection.
Notes
Evanson Kang’ethe was born in Ngecha, Kiambu County in Kenya and began his artistic journey in the early 1980s as a self-taught practitioner. He later honed his skills through private tuition with Dr. John Mayienga of the University of Nairobi’s Department of Design. Kang’ethe’s artworks serve as visual chronicles of Nairobi’s urban life, collective memory, and the dynamics of social encounter.
Kang’ethe’s practice encompasses drawing, painting, sculpture, and video, though he is most widely recognised for his intricate ink and charcoal works on paper. Over the past three decades, he has developed two distinctive approaches: dense, narrative-rich line drawings often referred to as Outlinism, and his experimental Smoke Paintings, where soot, smudging, and soft tonal washes interact with precise ink outlines.
In the mid-1980s, Kang’ethe produced commissioned murals and soon began exhibiting widely in Kenya, with notable presentations at the Nairobi National Museum, the French Cultural Centre, and the Goethe-Institut. Kang’ethe’s work has also featured in international group exhibitions and entered gallery collections and auctions abroad, reflecting enduring interest among collectors.
Today, Kang’ethe lives and works in the Nairobi region. His drawings and experimental smoke pieces continue to be presented in local and regional exhibitions, where they are often shown in dialogue with the work of other contemporary Kenyan artists, affirming his place as a distinctive voice in East African art.