Morné Visagie

In the Smoking Chaos, Our Shoulder Blades Kissed. I Found You (White)

About the Session

The Toyota Stellenbosch Woordfees Benefit Auction forms an integral part of Strauss & Co’s ongoing partnership with one of South Africa’s leading arts festivals. Now in its fifth year, the auction reflects a shared commitment to supporting the visual arts and creating meaningful opportunities for artists and collectors. Held at Stellenbosch Town Hall and accompanied by a curated preview exhibition, the auction brings together works by both emerging and established artists. Its intention is to encourage new and seasoned collectors to engage with and invest in South African art, while expanding the market and improving access to the work of leading local artists. At its core, the auction places artistic excellence at the centre while seeking to create greater visibility and recognition for contemporary artistic practice. 


  • Morné Visagie; In the Smoking Chaos, Our Shoulder Blades Kissed. I Found You (White)
  • Morné Visagie; In the Smoking Chaos, Our Shoulder Blades Kissed. I Found You (White)
  • Morné Visagie; In the Smoking Chaos, Our Shoulder Blades Kissed. I Found You (White)

LOT 54

Morné Visagie

In the Smoking Chaos, Our Shoulder Blades Kissed. I Found You (White)
Lot Estimate Change Currency
ZAR 40 000 - 60 000
Location
Cape Town
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Condition Report
May include additional detailed images
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About this Item

South African 1989-
In the Smoking Chaos, Our Shoulder Blades Kissed. I Found You (White)
2026

signed, dated and inscribed with the title on the reverse

coloured pencil on Italian cotton
96,5 by 60cm excluding frame; 99,5 by 63 by 6,5cm including frame

Notes

Morné Visagie was born in 1989 and is an artist, printmaker and curator who lives and works between Cape Town and Amsterdam. He obtained his Bachelor of Arts in Fine Art (2011) and Master of Fine Art (2019) from the Michaelis School of Fine Art, University of Cape Town, and is currently a PhD candidate at the European Graduate School. Visagie spent the first years of his life on Robben Island, where his father worked as a warder, and his practice is a sustained meditation on the sea as a physical and psychological landscape. Interweaving childhood memory with history, literature and film, he explores water, the swimming pool and the changing room as sites in queer literature and art, and more recently the histories of ocean crossings undertaken by those fleeing war and persecution. His abstracted works give primacy to colour and materiality. Solo exhibitions include shows at WHATIFTHEWORLD (2013, 2015, 2016), Fovntain at Smith (2018), Die Bloue Wis at Nuweland Gallery in the Netherlands (2018) and A Sinless Season at Everard Read, Cape Town (2023), and his work has also been shown at AKAA Paris, 1-54 London and Volta Basel.

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