Various Artists
The Hourglass Project: A Women's Vision
About this Item
(1) Bongi Bengu: signed, dated c99, numbered 10/50 and inscribed with the title in pencil in the margin
(2) Bronwen Findlay: signed, dated, numbered 10/50 and inscribed with the title in pencil in the margin
(3) Cristina Cardenas: signed and numbered 10/50 in pencil in the margin
(4) Deborah Bell: signed, dated 99 and numbered 10/50 in pencil in the margin
(5) Elaine Kennedy: signed, numbered 10/50 and inscribed with the title in pencil in the margin
(6) Fiaza Galdhari: signed, dated '99 and numbered 10/50 in pencil in the margin
(7) Grace Tshikuvhe: signed and numbered 10/50 in pencil in the margin
(8) Lynn Vernel Marshall, signed, numbered 10/50 and inscribed with the title in pencil in the margin
(9) Lynne Allen: unsigned
(10) Mildred Thompson: signed, dated, numbered 10/50 and inscribed with ‘Caversham Press SA’ in pencil in the margin
(11) Patricia Hurl: signed, dated ’99, numbered 10/50 and inscribed with the title in pencil in the margin
(12) Pip Curling: signed, dated ’99 and numbered 10/50 in pencil in the margin
(13) Semina Mpofu: signed, dated ’99 and numbered 10/50 in pencil in the margin
(14) Sheila Flynn: unsigned
(15) Sophie Peters: signed, dated 99, numbered 10/50 and inscribed with the title in pencil in the margin
(16) (1999) A Women's Vision: A Dialogue for the Millennium, Balgowan: The Caversham Press, screenprint on paper, numbered 10/50 in pencil on the colophon
(17) (1999) The Hourglass Project: A Women's Vision, Balgowan: Fulton County Arts Council and The Caversham Press, exhibition catalogue
(18) Original portfolio cover
Notes
The first Hourglass Residency Programme brought together 15 artists from South Africa, USA, Mexico, Ireland and Zimbabwe to create a collection of 30 unique icons. These explore the multi-faceted experiences of women at the cusp of the millennium. Their collective memories, histories, shared dreams and storytelling were a search for common ground and a focus of the dialogue. Each artist was required to produce two prints: one large scale work and a miniature which appears in this portfolio.
(1) Bongi Bengu (South African), Earthbound, hard ground etching on paper
(2) Bronwen Findlay (South African), Lucky Beans, linocut with hand colouring on paper
(3) Cristina Cardenas (United States of America), Untitled (Bare Feet), various print media on paper
(4) Deborah Bell (South African), Untitled (Orange Head), etching and chine colle on paper
(5) Elaine Kennedy (Ireland), Fragment, chine colle on paper
(6) Fiaza Galdhari (South African), Untitled (Eye), linocut on paper
(7) Grace Tshikuvhe (South African), Untitled (Ukhamba), colour screenprint on paper
(8) Lynn Vernel Marshall (United States of America), Sister's Hands, linocut on paper
(9) Lynne Allen (United States of America), Wisdom, etching on paper
(10) Mildred Thompson (United States of America), Untitled (Spirals), screenprint on paper
(11) Patricia Hurl (Ireland), Aah!, screenprint on paper
(12) Pip Curling (Zimbabwe) Untitled (Girl with Bird and Dog), three colour screenprint on paper
(13) Semina Mpofu (Zimbabwe), Untitled (Profile), screenprint and linocut on paper
(14) Sheila Flynn (South African), Untitled (Venus and Beads), colour screenprint on paper
(15) Sophie Peters (South African), Scarcity of Money, linocut on paper
Printed with Caversham Press, accompanied by original portfolio cover.
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