The Engen Collection
Live Virtual Auction, 24 June 2025
The Engen Collection
About the SessionThe Engen Collection is a corporate collection that highlights a crucial chapter in South African art history.
Initially put together as the Mobil collection in the early 1980s, it brings to market a selection of works from a broader archive of over two hundred artworks, offering insights into the networks, pedagogies and creative resistances that shaped South African abstract art in the early 1980s. It comprises of paintings, tapestries, works on paper and photographs representing a significant corporate investment in South African contemporary art during a period of intense cultural and political transformation. The collection engages with a moment when South African artists were developing visual languages that could operate across the cultural and artistic boundaries. These artists, including Bill Ainslie, Simon Stone, Gabriel Tsolo, Judith Mason, Andrew Verster, Pippa Skotnes and Gail Altschuler, documented individual artistic development alongside the collective creation of alternative artistic practice.
The collection traces the intellectual and artistic genealogy of artists working within and against the constraints of the 80s, many of whom were influenced by the South African artist, teacher and activist Bill Ainslie and the Johannesburg Art Foundation (JAF), an institution that maintained inclusivity. Founded in 1982, JAF operated as an educational anomaly, rejecting prescribed curricula and external authority in favour of emancipatory and experimental pedagogy. Under Ainslie's direction, the Foundation fostered abstract expressionism, an art movement whose rejection of traditional representational art prioritised non-objective imagery to evoke emotion. The connections of the institution extended beyond the JAF itself, linking to the establishment of Federated Union of Black Artists (FUBA) and the Thupelo Workshops in Cape Town, institutions whose impact continues to shape contemporary South African art discourse.
The CEO, Mr George Roberts, said: "The Engen Collection represents a broad and vibrant range of South African artists and has been a treasured part of our company’s story for many years. As we look to the future, we believe it is time for these remarkable artworks to find new homes where they can continue to be appreciated, shared and celebrated. We believe that by releasing this collection, the artworks will find new life amongst a wider community, while inspiring new audiences by continuing to tell the story of South Africa’s creative spirit."
About this Item
Literature
R J Angel (no date) Mobil Court Art Collection: A Collection of South African Visual Art, Mobil Oil Southern Africa, illustrated in colour, unpaginated.
Notes
Ricky Burnett was born in England and moved to South Africa as a child. He earned a BA in Humanities from the University of the Witwatersrand. A pivotal meeting with artist Bill Ainslie inspired him to begin making art - an endeavor he pursued alongside teaching - a lifelong passion he continues to this day.
Burnett emerged as a significant figure in South Africa's art scene, both as an artist and curator. The BMW Tributaries project marked a turning point in his career. After relocating to London in 1985, he became involved with the prestigious Brenthurst Collection.
He is particularly noted for his groundbreaking curatorial work, including a major exhibition on the acclaimed sculptor Jackson Hlungwani. Burnett also founded Newton Galleries, the first gallery in South Africa dedicated to showcasing art from across the African continent.
Among his many curatorial achievements is the exhibition Horse at Everard Read in Johannesburg, as well as numerous projects with Everard Read, SMAC Gallery and Gallery 2. His work has been documented in a publication by Palimpsest Press.
Thanks to Ricky Burnett for assistance in the cataloguing of this lot.
Provenance
The Engen Collection.