John Piper

Garn Fechan (Pembrokeshire)

Current Bid

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Lot 124
  • John Piper; Garn Fechan (Pembrokeshire)
  • John Piper; Garn Fechan (Pembrokeshire)
  • John Piper; Garn Fechan (Pembrokeshire)
All images © John Piper/DACS, UK/Dalro


Lot Estimate
ZAR 80 000 - 120 000
VAT is charged on both hammer & premium for daggered lots
Current Bid
Starting at ZAR 70 000
Location
Cape Town
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Condition Report
May include additional detailed images
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About this Item

British 1903-1992
Garn Fechan (Pembrokeshire)
1974

signed, dated 28 XI 74 and inscribed 'GF'; inscribed with the title on the reverse of the sheet; inscribed with the title on the reverse, inscribed with the artist's name, the title and medium on a Pieter Wenning Gallery label adhered to the reverse, and inscribed with the artist's name, the title the date and medium on a Marlborough Fine Art London label adhered to the reverse

gouache on paper
37,5 by 56,5cm excluding frame; 58,5 by 77,5 by 3cm including frame

Notes

John Egerton Christmas Piper was an English painter, printmaker, designer, and writer, and one of the most influential British artists of the 20th century. He studied at the Richmond School of Art and then at the Royal College of Art, London. Piper was an art critic for The Listener and The Spectator, a member of The London Group and the Seven and Five Society, and was considered one of the leading abstract artists in England in the 1930s. Throughout his career he worked in different styles, including abstraction, surrealism and neo-Romanticism, but towards the end of the 1930s he returned to naturalism with a focus on architecture and the landscape. As an official war artist, Piper portrayed bomb-damaged buildings during WWII. Later in his career, Piper turned to printmaking and designing stage sets. He also designed over sixty stained-glass windows in partnership with Patrick Reyntiens for the Cathedral at Eton College. Piper was also commissioned to design tapestries for a number of English cathedrals.

Piper was made an Honorary Member of the Printmakers Council, served as a trustee of the Tate, and was elected to the Royal Academy of Arts. In addition, he was made a Commander of the Order of the British Empire (CBE). He was awarded a knighthood in 1972 for his contribution to British art and in 1984 he was awarded the Order of the Companions of Honour (CH).

Major retrospective exhibitions showcasing Piper’s works have been held at Tate Britain, the Imperial War Museum, London, the River and Rowing Museum, Oxfordshire, the Museum of Reading, Berkshire and Dorchester Abbey, Oxfordshire and several exhibitions focusing on different elements of his artistic career have been held throughout Britain.

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