Live Virtual Auction, 15 February 2020

Sold for

ZAR 455 200
Lot 23
  • Nicholas Hlobo; Umphokoqo

Lot Estimate
ZAR 400 000 - 600 000
Selling Price
Incl. Buyer's Premium and VAT
ZAR 455 200

About this Item

South African 1975 -
ribbon and rubber on Fabriano paper
71 by 99cm excluding frame


Hlobo is best known for his recombinant sculptures made from coloured ribbon and castoff bits of leather, wood and rubber. Raised by his maternal grandmother in the Eastern Cape, Hlobo’s earliest experience of adapting and reusing materials was when, as an adolescent, he made drums from empty paint tins and stretched rubber tubing. His artistic practice is not anchored in any fixed form and effortlessly shifts between abstraction and various forms of figuration. Libidinal and culturally resonant, his sculptures include interpretations of male and female sexual organs, animal enclosures and a dragon-like creature debuted at the 2011 Venice Biennale (the work is owned by collector Jochen Zeitz).

Hlobo’s work often features straggling pieces of fabric that transgress defined volumes and invite consideration of contiguous spaces. This extends to his mixed-media works on paper, work integral to Hlobo’s output since his 2006 exhibition Izele (birth) at Stevenson. This lot appeared in his second exhibition at Stevenson, by which time Hlobo had formalised his method of suturing ribbon and rubber into abstract, rhizomatic forms on paper that propose open-ended constellations of materials and ideas. Commenting broadly on Hlobo’s “creative sewing,” artist Gavin Jantjes characterised his assemblages as “a physical and intellectual patchwork that reveals his on-going interrogation of his Xhosa traditions and the conventions of contemporary art.”1

  1. Gavin Janthes (2011) ‘Edge, Seam & Space’, in Nicholas Hlobo: Sculpture, Installation, Performance, Drawing, Oslo: National Museum of Art, Architecture and Design. Page 58.


Stevenson, Cape Town, Nicholas Hlobo: Kwatsityw'iziko, 6 March to 26 April, 2008.


Sue Williamson (2009) South African Art Now, New York: Collins Design. Page 134 and illustrated in colour on page 135.

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