Important South African and International Art, Decorative Arts & Jewellery

Cape Town

10:30am Mon 5 Mar 2018


Select a Session

Go to Lot

Click on the image to zoom

Lot 559

German/Namibian 1888-1977
Landscape, Seeis, Namibia
signed with the artist's initials and dated 1938
oil on canvas
59,5 by 79,5cm

 View a Condition Report

The acclaimed desert landscape painter Adolph Jentsch settled in Namibia when he was 49. Born in Germany and trained at the State Academy for Visual Arts in Dresden, he worked as an interior designer before emigrating to Namibia, then a South African protectorate, in February 1938. His first address was a cousin’s farm, Kleepforte, roughly 100km east of Windhoek in the high-plateau region of Khomas. The present work depicts a landscape at Seeis, a small settlement en route to Windhoek from Kleepforte. It offers a valuable record of this northern immigrant's earliest response to his adopted homeland. According to Jentsch's biographer, Olga Levinson, he revelled in the "vast open spaces and endless horizons" of Namibia.1

Jentsch spent his first few months actively recording the country's landscapes. He presented his first solo exhibition the same year he arrived. Held in Windhoek's storied Grossherzog Hotel, this exhibition received favourable reviews. Jentsch's earliest paintings of Namibia were all produced in oil, which Levinson typifies as "large canvases with a cosmic conception".2

In the early 1940s he moved to aquarelle, a medium better suited to Jentsch's evolving pursuit of mystical description in his landscape work. This painting predates his more austere watercolours, which referenced Chinese techniques and placed a premium on spiritual empathy. Jentsch’s brand of impressionism in this painting is marked by his "extremely delicate style".3 Compositionally, Landscape, Seeis, Namibia is typical of Jentsch's horizon-line renderings of an observable reality. The techniques that Jentsch would later refine in his watercolours are also suggested here. Writing in a 1976 magazine article about Jentsch, art historian Esmé Berman observed, "the most impressive of his oil canvases are those in which the medium is drastically thinned, its viscous properties negated and colour is applied in brisk and liquid brushstrokes".4 Many of these attributes are observable in this fine work.

  1. Olga Levinson. (1973) Adolph Jentsch, Cape Town: Human & Rousseau. Page 35.
  2. Olga Levinson. (1970) 'Adolph Jentsch', SWA Annual, Windhoek: South West Africa Publications. Page 91.
  3. Hans Fransen. (1982) Three Centuries of South African Art, Johannesburg: AD. Donker. Page 272.
  4. Esmé Berman. (1976) 'Adolph Jentsch', Art International, Vol. 20. Page 20.

Estimate: R 500 000 - 700 000 

Sold for R 500 000
Which is R 568 400 incl Buyer's Premium and VAT

Lot Images Select an image below to view

Other lots that might interest you

Lot 439

Piet van Heerden
Farm Landscape with Figures and Houses
R 25 000 - 35 000

Lot 560

Jacob Hendrik Pierneef
Namibian Sunset
R 400 000 - 600 000

Lot 569

Jacob Hendrik Pierneef
Landscape, Northern Transvaal
R 250 000 - 350 000

Lot 407

Paul du Toit
Wooded Landscape
R 20 000 - 30 000

Lot 400

Jan Ernst Abraham Volschenk
The Glories of Morn over Mountain, Rocks and Aloes Spread
R 60 000 - 80 000

Lot 577

Alexander Rose-Innes
Autum Oaks, Wynberg (sic)
R 80 000 - 120 000