Origins & Legacy of Art Jewellery in South Africa
Timed Online Auction, 6 - 22 October 2025
Origins
About the SessionOrigins, explores the emergence of South African fine metal artistry through pioneering immigrant goldsmiths and jewellers such as Erich Frey, Peter Cullman, Margaret Richardson, Elsa Wongchowsky, Tessa Fleischer and Birger Haglund. Many were drawn to South Africa after the Second World War, seeking opportunities to establish workshops. Their training in European institutions, such as Pforzheim, equipped them with modernist principles and technical expertise. Their works embodied modernist aesthetics while adapting to local contexts. They experimented with form, texture, and materiality, linking jewellery to broader artistic movements.
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Notes
Erich Frey was born in Düsseldorf, Germany. His apprenticeship under master goldsmith Hans Beckman was interrupted by wartime service and during this time he made buttons from scrap metal to supplement his income.
In 1952, he relocated to Pretoria, South Africa, and in 1963 Frey and his wife established Eric Frey Jewellers.
He drew inspiration from local landscapes, flora and African art and is known for integrating non-traditional materials such as wood, bone, ivory and semi-precious stones into his work. He collaborated with celebrated artists such as Walter Battiss, Alexis Preller and Esias Bosch who shared his modernist aesthetic.
In 1966, he helped establish the first degree course in precious metal design at the University of Stellenbosch, leaving a legacy of a uniquely South African vernacular that continues to resonate today.
Frey returned to Germany in 1977 where he died from lung failure, likely exacerbated by long term exposure to industrial solvents used in metalwork.
