What the Fook? The Life and Work of Walter Battiss
Timed Online Auction, 12 - 30 June 2025
What the Fook? The Life and Work of Walter Battiss
About this Item
signed, numbered 3/39 and inscribed with the title in pencil in the margin; dated 1973 on the reverse
Literature
Karin Skawran and Michael Macnamara (1985) Walter Battiss, Johannesburg: A D Donker, another impression from the edition illustrated in colour on page 89.
Warren Siebrits (ed) (2016) Walter Battiss: "I Invented Myself", exhibition catalogue, Johannesburg: The Ampersand Foundation, another impression from the edition illustrated in colour on page 119 and 121, cat. no. 1973.12.S8*.
Provenance
The Collection of Professor Murray Schoonraad.
Notes
Battiss was not one to shy away from the erotic, garnering some controversy from the public and critics alike. He was accused of 'descending into pornography' in an article published in The Sunday Times, published 2 December 1973.1
The artist vehemently opposed this claim. Stating "To me, as an artist, love-making is an essential part of man. It relates to all creation."2 Once again inspired by Picasso, Battiss aimed to push the boundaries of the South African art cannon.
The lot 60, 61 and 62 are striking examples of Battiss' erotic prints, depicting male and female figures in an explicit and often exaggerated manner that was not in line with the South African art world in the early 70s.
1Warren Siebrits (ed) (2016) Walter Battiss: "I Invented Myself", exhibition catalogue, Johannesburg: The Ampersand Foundation, page 118.
2Ibid., page 118.