Live Virtual Auction, 10 - 11 May 2020

Important announcement regarding the terms and conditions of this auction.

This auction is being conducted during a National State of Disaster in South Africa and in accordance with the various Regulations passed by the Government in South Africa in response. Presently, South Africa’s National State of Disaster is at Level 4, which limits certain commercial activity. Read More →

 Terms and Conditions for Online Auctions (517.08 KB)

 Privacy Policy for Online Auctions (198.46 KB)

Sold for

Unsold
Lot 611
  • Stanley Pinker; His and Hers or Decline and Fall, diptych
  • Stanley Pinker; His and Hers or Decline and Fall, diptych
  • Stanley Pinker; His and Hers or Decline and Fall, diptych
  • Stanley Pinker; His and Hers or Decline and Fall, diptych
  • Stanley Pinker; His and Hers or Decline and Fall, diptych


Lot Estimate
ZAR 2 000 000 - 3 000 000
Selling Price
Unsold

About this Item

South African 1924-2012
His and Hers or Decline and Fall, diptych
signed
oil on canvas
94 by 147cm excluding frame; 104 by 158 by 6cm including frame

Notes

"The couple is an anachronism, awkwardly and uncomfortably situated in a hostile landscape. They are relics from another era, much like the fallen Grecian column, and the prospect of their using the contemporary His and Hers exercise bikes seems most improbable. They are both dressed in mad and impractical white Victorian outfits; he wears a pith helmet and carries a felt-covered water bottle; she wears a boater hat and holds a parasol. The colonial colours of red, white and blue feature in small details. He has two walking sticks, one white which he taps against the edge of a pavement - a case of the blind leading the blind. We don't have to look very far to encounter that in our history. A snake emerges from a chamber pot on her lap, recalling the Indian snake-charmers in the old Empire who used to walk around with little baskets of snakes and perform, sitting cross legged. But here the snake rears up threateningly from the chamber pot, an object which travellers of their era would have had under their beds as an essential part of their equipment. She is a relic, a fossil, and her disconnected marble foot recalls the forms of Greek and Roman Sculpture, as does the drapery of her dress. The yellow crumpled form was based on a child's plastic block that has been squashed. I used to walk along the beach and collect these objects, thinking 'I'm going to use this at some point'. Here I use it as a symbol that evokes decay and the temporal."1

“Pinker spent a decade living, studying and working in Europe between 1954 and 1964. In his intelligent translation of the formal conventions of modern art movements, especially Cubism, he explores the follies, pretensions and evils of colonial and post-colonial white society in South Africa. In this painting, which exemplifies Pinker’s later work, the idea that this society is capable of transformation is gently mocked by the exercise machines that promise a new body, but not necessarily a new or changed mind. The fresh colour and decorative flatness of the work competes with a savage dryness of the line and fractured quality in the figurative elements. This results in a work where emotional and conceptual complexity is woven into a composition of exceptional formal elegance.”

 

1. Michael Stevenson (2004), Stanley Pinker, Cape Town: Michael Stevenson. Page 80.

2. Notes from University of Cape Town Exhibition catalogue.

Provenance

Die Kunskamer, Cape Town, 13 May 1993.

Private Collection.

Exhibited

University of Cape Town, The Chancellor Oppenheimer Library, 2001, number 34.

Welgemeend, Cape Town, Satire and Irony: Robert Hodgins, Stanley Pinker and Alexander Podlaschuc from the Kilbourn, Bloch, Wiese & Podlashuc Collections & Almost Forgotten: Peter Haden, a selection of works from private collections, August 2019. Illustrated in colour on page 37 of the exhibition catalogue.

Literature

Michael Stevenson (2004), Stanley Pinker, Cape Town: Michael Stevenson illustrated in colour on page 80.


Other lots that might interest you
Alfred Neville Lewis; Seated Zulu Woman
Alfred Neville Lewis
Seated Zulu Woman
ZAR 60 000 - 80 000
Maurice van Essche; Seated Nude
Maurice van Essche
Seated Nude
ZAR 40 000 - 60 000
Walter Battiss; Group of Figures
Walter Battiss
Group of Figures
ZAR 280 000 - 340 000
Irma Stern; Repairing Fishing Nets on the Quay
Irma Stern
Repairing Fishing Nets on the Quay
ZAR 2 000 000 - 3 000 000
Norman Catherine; Fireman
Norman Catherine
Fireman
ZAR 100 000 - 150 000
Hennie Niemann Jnr; Friends
Hennie Niemann Jnr
Friends
ZAR 140 000 - 160 000